This kit contains everything the skilled painter needs to go from underpainting to main body painting to glazing.

The Wonder Medium of the 15th century -- and a favorite for the next six centuries. We import white beeswax pastilles from an apiary in Germany.
New low price, not subject to additional discounts.

This is the classic heated oil with lead. Made by slowly heating Special Aged Linseed Oil with laboratory-grade litharge to produce a deep amber colored oil that is slippery and dries very quickly. Greatly improves handling and the film strength of the paint.

Hard-To-Get! Optically pure balsam, quick-drying, adds gloss and leveling to mediums.

A faster-drying retouch and barrier varnish. Made from mata kucing (Cats Eye) resin, a fossilized damar from Indonesia, it is much harder and less sticky than the usual damar.

RARE Congo copal 24% concentrate. One of the world's great painting mediums. 2 ounce jar.

Damar is the most popular resin for making spirit varnish. Imported #1 grade Singapore damar crystals are packed in a filter bag inside a quart paint can. This damar concentrate it produces is honey-thick and a clear golden color.

Gallery Varnish is a final picture varnish that, when properly applied, produces a finish that is deep and lustrous but not overly glossy. Made from both damar and mastic varnishes, mixed in the ideal proportions, Gallery Varnish combines the best qualities of both.

The exceptional handling qualities of Maroger's medium in a premixed gel that chemically bonds with oil paints. CONTAINS LEAD.

An ideal glazing medium. Contains no solvents and will not dissolve delicate underpainting. Made from heat-bodied linseed oil and canada Balsam.

Add just a drop or two to paint to improve drying FROM THE INSIDE OUT. Liquid Lead Dryer does not darken, form a skin or crack. Toughens paint.

New, Smaller Size.
Our lightest colored Black Oil that contains as much lead as the original and Double Mastic varnish.
Still the best in the world, in a new affordable size.

Based on well-researched mediums of the late 18th century, Olio Verde is a heat-bodied oil containing both lead and copper salts. It is an exceptionally smooth-handling oil that dries fast and to a solid, hard finish.

The PreRaphaelite painters managed to achieve exceptional clarity of color and razor sharp detail with this medium. A historically accurate replication of the best of the mediums used by those painters. Colors stay bright, dries quickly and handles with smoothness and precision.

How did we live without this tool? Fill the bottle with varnish, glue, paint or any other liquid and the self-contained pressure unit sprays a fine professional spray mist.